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Taiwan racing to arm itself as US reliability wanes

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Taiwan racing to arm itself as US reliability wanes

With the US increasingly distracted by the Iran war and China becoming more assertive, Taiwan is reshaping its defenses for a more uncertain era.

This month, Reuters reported that Taiwan is executing a major strategic defense shift by dramatically expanding its anti-ship missile arsenal to more than 1,800 weapons by early 2029 to counter the mounting threat of a Chinese blockade or invasion.

This massive stockpiling initiative relies heavily on acquiring 400 advanced US-made Harpoon cruise missiles, with full delivery scheduled between 2026 and March 2029, alongside the mass production of roughly 1,000 domestic Hsiung Feng II and III missiles.

By dispersing these precision, sea-skimming weapons across mobile, ground-based launchers, Taiwan’s military aims to implement an asymmetric “kill zone” strategy within the highly contested Taiwan Strait.

Inspired by Ukraine’s successful naval drone strikes against Russia and Iran’s resilience under bombardment, the strategy focuses on inflicting devastating initial losses to shatter a Chinese invasion fleet’s landing capabilities rather than attempting to destroy the entire People’s Liberation Army Navy (PLAN).

To effectively synchronize this surge in coastal firepower and aerial drones, Taiwan will officially inaugurate a unified Littoral Combat Command in July, a structural overhaul engineered to stall invading forces long enough for allied nations to intervene during a prolonged war of attrition.

As Taiwan accelerates its shift toward asymmetric defense, the key question is whether an indigenous, missile-centric deterrent can compensate for growing uncertainty over the reliability and availability of US military support.

Taiwan’s push to acquire more anti-ship missiles comes on the heels of the US Trump Administration’s decision to pause a US$ 14 billion arms package to Taiwan.

Acting US Navy Secretary Hung Cao mentioned at a May 2026 US Senate Armed Services Committee hearing that the pause is intended to ensure the US has enough weapons for its Iran war effort. However, Cao stressed that foreign military sales will continue when the US Trump Administration deems necessary.

According to Rush Doshi and David Sacks in a May 2026 Council for Foreign Relations (CFR) article, the pause could affect the sale of Patriot PAC-3 interceptors, National Advanced Surface-to-Air Missile Systems (NASAMS), and TOW and Javelin anti-tank missiles.

Looking at US interceptor expenditure rates during the Iran War, Will Smith and Michael Cohen note in a May 2026 Stimson article that in the first two days of the war, the US fired about 1,300 Patriot interceptors, representing up to 60% of its stockpiles and over two years of production at 2025 rates.

Smith and Cohen also add that it may take two to three years to replenish Patriot and other interceptor stocks, creating a window of vulnerability for a potential conflict in the Western Pacific. That vulnerability may also have factored into the Trump Administration’s calculus regarding Taiwan.

“I’m not looking to have somebody go independent. And, you know, we’re supposed to travel 9,500 miles to fight a war. I’m not looking for that. I want them to cool down. I want China to cool down,” US President Donald Trump said in a Fox News interview last month, potentially underscoring that vulnerability.

Aside from that, Trump said he “may or may not” approve the weapons sale to Taiwan, adding that Taiwan is “a very good negotiating chip” for the US, highlighting his transactional foreign policy.

Despite the pause in arms sales to Taiwan, US Secretary of State Marco Rubio reiterated in a US Senate Foreign Relations Committee hearing this month that “the most ​important thing to understand is ⁠we want to see the (Taiwan) ​status quo preserved as-is at ​this moment. That’s our policy, that’s what we’ve said, that’s what we continue ​to say.” He added, “It’s ‌a ⁠very delicate relationship to balance, but our policy on Taiwan is not changing.”

In contrast to the ambiguity of the Trump administration, China has been consistent and adamant in its position on Taiwan, with state mouthpiece Xinhua reporting in May 2026 that Chinese President Xi Jinping stressed that “Taiwan independence” and cross-strait peace are as “irreconcilable as fire and water.”

The US Trump administration’s decision to pause arms sales to Taiwan may be sending mixed messages to international audiences. For one, US arms sales to Taiwan have been a preferred means for the US to demonstrate commitment to defending the self-governing island, short of explicit recognition of sovereignty or direct military intervention that could threaten the longstanding Taiwan Strait status quo.

In line with that Taiwanese President Lai Ching-te, in a May 2026 Facebook post quoted by Politico, said that “China has never abandoned its intention to annex Taiwan by force and continues to expand its military capabilities in an attempt to alter the regional and cross-strait status quo,”  stressing that “the US’s continued arms sales to Taiwan and deepening of Taiwan-US security cooperation are not only necessary but also key elements in maintaining regional peace and stability.”

With the US facing a significant capability gap from the Iran war and suspending its arms sales to Taiwan indefinitely, Taipei may need to invest more heavily in asymmetric warfare capabilities that can be sustained domestically and with assistance from alternative partners.

Taiwan has backed that approach with sustained investments in missile production, long-range strike capabilities and defense-industrial partnerships aimed at reducing reliance on foreign resupply.

These efforts underscore Taiwan’s shift from dependence on US arms purchases to developing an indigenous deterrent capable of withstanding a blockade, prolonged conflict, and political uncertainty.

Rather than relying solely on US intervention, Taiwan is seeking to create a self-sufficient defense ecosystem that raises the cost of aggression for China through locally produced missiles, munitions and asymmetric capabilities.

However, Taiwan’s push for indigenous capabilities and for alternative defense partners beyond the US faces significant hurdles.

In a March 2026 article for the Global Taiwan Institute (GTI), John Dotson mentions that the US pausing critical arms sales ahead of major diplomatic summits creates delivery uncertainty and disrupts Taiwan’s rapid, regular acquisition of essential capabilities.

Dotson adds that due to sustained Chinese diplomatic pressure, the US remains the only major arms-manufacturing country willing to sell defense systems to Taiwan.

He also states that a divided government has led to the opposition-controlled legislature repeatedly blocking the executive branch’s proposed US$40 billion special defense budget, stalling critical funding for asymmetric systems.

As US strategic bandwidth narrows and China intensifies pressure, Taiwan’s long-term security may depend less on the quantity of foreign-supplied weapons than on its ability to build a resilient, self-sustaining deterrent that can withstand attack and outlast political uncertainty.

Slovenian Presidential Palace raises Palestinian flag after premier removes it from government building

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Slovenian Presidential Palace raises Palestinian flag after premier removes it from government building

Slovenia’s Presidential Palace raised a Palestinian flag on Friday, a day after the country’s new government removed it from the facade of the government building following a change of power in Ljubljana, Anadolu Agency reports.

President Natasa Pirc Musar announced the move on US social media company X, saying the flag would remain on the facade of the Presidential Palace for one week before being moved inside the building.

“The genocide against Palestinians has not been halted, and people in Gaza and the West Bank do not live in peace and dignity,” she said.

Pirc Musar said the flag represents opposition to “gross violations of international humanitarian law and human rights” not only in Palestine but elsewhere in the world.”It is a simple call to respect the fundamental civilizational principle: human dignity—for all,” she added.

READ: Slovenia condemns US-Israel attacks on Iran as ‘unacceptable violations of int’l law’

The move came a day after the new government led by Prime Minister Janez Jansa took office following a parliamentary confidence vote.

Following the transfer of power, the Palestinian flag was removed from the facade of government headquarters, while the Slovenian, Ukrainian and European Union flags remained in place.

The Palestinian flag was first raised on the government building in May 2024 after former Prime Minister Robert Golob’s center-left government approved a resolution proposing recognition of Palestine as an independent and sovereign state.

Slovenia formally recognized the State of Palestine on June 4, 2024, becoming one of several European countries to do so amid growing international attention on the war in Gaza.

READ: Slovenia joins Spain in urging EU to protect independence of ICC, UN on Gaza

UAE Textile Waste Push Tests Whether Circular Fashion Can Move Beyond Good Intentions

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UAE Textile Waste Push Tests Whether Circular Fashion Can Move Beyond Good Intentions


Naseej brings national attention to the UAE’s textile waste problem, but experts say lasting change will depend on collection points, recycling capacity, consumer habits, and the economics of reuse

The UAE’s launch of Naseej, the National Initiative for Textile Circularity, will test whether a country known for malls, fast fashion, and high consumption can turn textile waste from an environmental afterthought into part of a working circular system.

The initiative, launched under the directives of President Sheikh Mohamed bin Zayed Al Nahyan, comes as the UAE is estimated to generate 220,000 metric tons of textile waste each year. It aims to create a more organized national system for collecting, reusing, recycling, and reducing textile waste while linking government agencies, businesses, researchers, recyclers, community organizations, and consumers.

Circular textile systems aim to keep garments and fibers in use for as long as possible through reuse, repair, resale, upcycling, recycling, and reduced waste.

That goal is easy to state and difficult to deliver. Across the UAE’s sustainable fashion and textile recovery ecosystem, business owners and advocates broadly welcome Naseej as an important national step. But they also warn that recycling alone will not solve the problem unless the country builds accessible collection systems, supports resale and repair, reduces overconsumption, and develops local capacity to handle materials that currently have few viable end-of-life options.

Still, public details released so far leave open major questions: whether Naseej will lead to permanent neighborhood collection points, binding targets, brand obligations, long-term funding, enforcement mechanisms, or large-scale recycling facilities.

Naseej brings together the National Projects Office, the Ministry of Economy and Tourism, Emirates Foundation, Tadweer Group, researchers, businesses, and community partners to work on collection, recycling, consumer behavior, regulation, and circular business models. In practical terms, the initiative is expected to support national programs, improve collection and recycling infrastructure, advance pilot projects, and help create markets for circular textile solutions.

Work on the initiative began during COP28 and included memorandums of understanding with partners across the textile sector, including fashion brands, manufacturers, recyclers, research institutions, and community organizations. Its first public activation, “The Fabric of Possibility,” is scheduled for June 5 to 7 at Yas Mall in Abu Dhabi before similar events expand to other parts of the country.

For Jennifer Sault, founder and managing director of Thrift for Good, the urgency is already visible in the volume of unwanted clothing moving through the UAE.

“An estimated 220,000 [metric] tons of clothing is going into landfill currently in the UAE. This is by a recent report that just came out on Naseej, the National Initiative for Textile Circularity,” Sault told The Media Line.

Sault said fast fashion has accelerated the problem by encouraging higher production and making clothing easier to treat as disposable. According to the UN Environment Programme, 92 million metric tons of textile waste are produced globally each year. The agency has also cited Ellen MacArthur Foundation findings that clothing production doubled from 2000 to 2015, while the duration of garment use declined by 36%.

“Clothing sustainability has become a growing concern, not just in the UAE, but globally, as producers and consumers shift more to fast fashion,” Sault said.

The environmental problem, she said, is not only the quantity of discarded clothing but also what that clothing is made from. Synthetic materials such as polyester are derived from fossil fuels, shed microplastics, and can persist in the environment for decades or longer, depending on conditions. The European Parliament has cited estimates that textile production is responsible for about 20% of global clean water pollution, mainly from dyeing.

“What’s more disturbing is that clothing is being produced much more cheaply, which means that the resources that go into it are not as good for the environment,” Sault said.

She voiced concern about microplastics and chemical exposure.

“Plastics are leaching off into waterways in our systems, into our food chains,” she said. “So it’s not just the environment, but our health as well.”

The challenge, those working in the sector said, is that collection and recycling infrastructure have not kept pace with consumption. Sault said Thrift for Good has built a model that keeps nearly all of the clothing it receives in circulation through resale, repair, redistribution, stain treatment, redesign, upcycling, or recycling. But the organization’s scale is tiny compared with the national problem.

“We have figured out how to be 99% circular with our clothing,” she said.

Still, she said, the country lacks a system for many materials that are not cotton.

“The cottons we can do here in the UAE, Landmark Recycling Center, does a great job and has a fair amount of capacity to take this,” Sault said. “But there’s still no system in the UAE for anything that’s not cotton. So polyester blends, other materials, those that are greatly soiled, shoes, bags, accessories, etc.”

That limitation reflects a wider global problem. Textile recycling is technically difficult because many garments are made from blended fabrics, which must be sorted and separated before their fibers can be reused. A cotton shirt, a polyester dress, and a mixed-fiber garment may all require different sorting, processing, and end markets. Recycling mills also often require strict fiber quality standards, and collection systems are fragmented even in countries with advanced waste infrastructure.

Sault said Thrift for Good processes about 12 tons of clothing each month. About one ton goes into recycling, and roughly 400 kilograms are likely to end up in landfills.

We’re just a scratch on the tip of an iceberg

“We’re quite small in terms of the scale of what’s needed in the UAE,” she said. “We’re just a scratch on the tip of an iceberg.”

Circular fashion systems cost money before they reduce waste. Collection, sorting, transport, storage, repair, quality control, fiber separation, recycling technology, and markets for recovered materials all require investment. If resale margins are thin and recycling does not pay for itself, circularity can become dependent on subsidies, philanthropy, or policy intervention.

Muhammad Virji, director of Universal Clothing and founder of Fashion Rerun and Efaar, welcomed Naseej as a step toward a more organized circular textile industry.

“It is an important step toward building a stronger circular textile industry and encouraging more sustainable use of clothing and textiles across the country,” Virji told The Media Line.

Virji’s work focuses on the value that remains in clothing after its first use. He said discarded garments should not be treated automatically as waste when they can still be reused, resold, upcycled, recycled, or sorted for another purpose.

“Many clothes and textiles still have value after their first use,” he said.

The practical barriers, he said, are awareness, convenience, and collection. Many consumers may want to make better choices but do not know where to take unwanted clothing or what happens after they dispose of it.

“Making collection and recycling easier can help increase participation,” he said.

Virji said responsibility must be shared among consumers, retailers, brands, policymakers, recyclers, and reuse businesses. Consumers can care for garments and use resale or recycling options. Retailers and brands can educate customers and support circular initiatives. Government can connect partners and help build the systems that allow those efforts to scale.

The UAE already has companies and community groups working in resale, upcycling, recycling, sorting, and textile recovery, he said. The next step is linking them into a larger chain.

“The opportunity now is to continue connecting these efforts so more textiles stay in use for longer,” Virji said.

His companies operate across different stages of that chain. Universal Clothing sorts and grades textiles so they can be directed to appropriate uses. Fashion Rerun focuses on resale. Efaar transforms existing textiles into new products through rework and upcycling.

Araceli Gallego, founder of GoShopia.com and Fashion Revolution UAE country coordinator, said Naseej is a positive step because it recognizes textile waste as a national issue. But she said the success of circular fashion will depend on whether the initiative moves beyond recycling and supports the community-level work that changes behavior.

At Fashion Revolution UAE, we believe circularity goes far beyond recycling

“The launch of Naseej is a very positive step for the UAE and an important recognition of the need to address textile waste at a national level,” Gallego told The Media Line. “At Fashion Revolution UAE, we believe circularity goes far beyond recycling.”

Gallego said Fashion Revolution UAE works through clothes swaps, repair and mending sessions, styling masterclasses, workshops, and community events. The goal, she said, is to extend the life of garments and keep textiles out of landfills while giving consumers practical alternatives to buying new.

“We also work closely with sustainable fashion designers, upcyclers, thrift shops, and stylists to promote more conscious ways of producing and consuming fashion,” she said.

Community initiatives are still small, but Gallego said they are helping create a culture around repair, reuse, and sustainable design. Each April, Fashion Revolution UAE holds Fashion Revolution Week. In May, the group took part in Rooted at Alserkal Avenue, a community-led cultural program that brought together art, creativity, and sustainable fashion through exhibitions, talks, and workshops.

“The UAE has a small but growing ecosystem of people and organizations contributing to textile circularity,” she said.

That challenge is sharpened by the UAE’s retail model. The country’s malls make fast fashion highly visible, convenient, and accessible, while sustainable labels often lack comparable reach. High retail rents can favor large brands, leaving smaller sustainable businesses outside prime shopping locations.

“The UAE is home to some of the world’s most impressive malls, making fast fashion incredibly convenient and accessible,” Gallego said. “However, high retail rents often mean that only large brands can secure space, leaving many sustainable labels without a presence in these prime locations.”

Repair, resale, rental, and upcycling are expanding, she said, but they still lack the scale and convenience of buying something new.

The fast-fashion question, the interviewees said, is not whether people should stop enjoying clothing, but whether the system can make better choices easier. Price, convenience, variety, climate, children outgrowing clothing, and limited access to affordable, sustainable alternatives all help explain why consumers continue to buy fast fashion even when they know the environmental costs.

That market reality is not unique to the UAE. Fast fashion remains dominant not simply because consumers ignore sustainability concerns, but because it offers price, access, variety, and convenience. Kristen Classi-Zummo, an apparel industry analyst at Circana, made a similar point in comments to The Washington Post about fast fashion and sustainability. Consumers often care about environmental benefits when other factors are equal, she said, but a large price gap or lack of convenience can quickly change the decision.

“If they’re then seeing a big price difference or it is not convenient, then they won’t buy,” Classi-Zummo told the newspaper.

Gallego said consumers should be encouraged to buy fewer but better-quality items, extend garment life, support responsible brands, and make resale and repair part of ordinary shopping behavior.

“The solution is not necessarily to stop people from enjoying fashion, but to encourage more conscious consumption,” she said.

Virji framed the same idea as product life extension.

“The focus should be on extending the life of clothing,” he said. “Supporting collection, resale, reuse, upcycling, and recycling helps ensure garments stay in use for longer and reduces unnecessary waste.”

Sault said consumers have power through everyday purchasing decisions, but she also said companies and policymakers must act where market incentives fall short.

“I truly believe that our dollar is our vote for the world we want to live in,” she said. “The companies we support are the legacies that we fuel and build.”

Government has a role, Sault said, because recycling often does not pay for itself and cheaper products can crowd out more ethical alternatives.

“Companies, of course, should be responsible. They should offer fair, equitable products,” Sault said. “And policymakers, I think, have the responsibility to protect against consumers just going for the cheapest prices, and protect that there has to be a bare minimum of ethics in the products that we have available.”

Sault said fabric recycling is technically possible but needs public support, financing, and systems that make economic sense.

“But recycling, it doesn’t really pay,” she said. “So I think there’s also a lot of space for governments to foster innovation, to fund recycling, to set up systems that make sense, to curb clothing from landfill long-term.”

Naseej appears designed to answer some of these gaps by putting policy, research, collection, public outreach, and business innovation inside one national framework. The harder test will be whether that framework becomes visible in daily life: collection points in neighborhoods, repair and resale options that can compete with malls, sorting facilities that can handle mixed textiles, and recycling capacity that goes beyond cotton.

Taken together, the interviewees said progress will depend less on slogans than on infrastructure: neighborhood collection points, sorting facilities, non-cotton recycling capacity, repair and resale options, and markets for recovered materials. Sault pointed to the need for recycling centers for non-cotton fabrics, shoes, and bags. Virji said success should be measured by how many textiles remain in circulation. Gallego said the first goal should be preventing waste before it is created.

Gallego also warned against relying on exports as a convenient outlet for unwanted clothing.

Shipping waste elsewhere simply shifts the problem rather than addressing it

“Shipping waste elsewhere simply shifts the problem rather than addressing it,” Gallego said. “Instead, we should focus on building local capacity to manage, recover, and reduce the waste we generate within the UAE.”

Gallego said no single organization can solve a waste problem of this size.

“We need collaboration between government entities, brands, retailers, recyclers, charities, educational institutions, communities, cultural organizations, and consumers,” she said. “In my humble opinion, the most successful solutions will be those that combine infrastructure, education, innovation, and community engagement.”

Virji described the same challenge as a value-chain problem.

“Strong partnerships are essential across the textile value chain,” he said. “Government provides leadership, private companies contribute expertise and infrastructure, community organizations support collection and awareness, and consumers participate.”

The UAE’s textile waste problem reflects a broader global contradiction. Fashion remains a major cultural and economic force, but its current consumption model produces waste that is increasingly difficult to ignore. Naseej gives the UAE a national platform to address that contradiction. The work of local actors such as Thrift for Good, Universal Clothing, Fashion Rerun, Efaar, GoShopia.com, and Fashion Revolution UAE shows that pieces of the circular model already exist.

The question now is whether those pieces can be connected, scaled, and made convenient enough to move circular fashion beyond committed consumers and into the habits of ordinary residents.

The next stage will show whether Naseej can turn awareness into infrastructure. Without that, Naseej risks becoming another sustainability campaign. With it, the country could move closer to a textile system in which clothing is not simply bought, worn, and forgotten, but kept in use long enough to retain its value.

Some ancient microbes frozen with Ötzi the Iceman are still growing

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Some ancient microbes frozen with Ötzi the Iceman are still growing

Ötzi the Iceman, Europe’s most famous mummy, is crawling with microbes, some long dead, some still eking out a living after thousands of years, and some very modern.

After he died in the Ötztal Alps, the Copper Age man now known as Ötzi lay alone and forgotten for 5,300 years, until a group of hikers stumbled on his freeze-dried remains in 1991. Since then, he’s received a lot of attention from scientists, who have sequenced his DNA, pored over his last meal and the remains of his gut microbes, and examined his clothes and his broken tools. Today, Ötzi lies in a high-tech resting place at the South Tyrol Museum of Archaeology in Italy, where, it turns out, his body is still home to a handful of cold-adapted yeast species that have probably been with him since just after he died.

Slightly morbid souvenirs from the Alps

Microbiologist Mohamed S. Sarhan (of the Institute of Mummy Studies at the private Eurac Research center) and his colleagues recently sampled material from Ötzi’s stomach and meltwater from inside his body, swabbed his skin, and even sampled airborne microbes from his frozen storage room and the lab outside it. They also took samples from a block of frozen alpine soil taken from next to Ötzi’s body back in 1991.

We already know quite a bit about Ötzi’s gut microbes thanks to a 2019 study, but Sarhan and his colleagues wanted the bigger picture. Instead of just sequencing all the microbial DNA they could find on Ötzi, the researchers wanted to understand which species were really part of his ancient one-man ecosystem and which were modern contaminants.

Sarhan and his colleagues cultured some of the samples, and also put some through a process called shotgun metagenomics, which involves sequencing all the bits of DNA floating around in a sample. Inside Ötzi’s guts, Sarhan and his colleagues—like previous studies—found ancient DNA from a host of bacteria that match what we expect of ancient, “non-Westernized” gut microbiomes. But elsewhere on and in the mummy, the team also found some microbes that weren’t actually dead.

Two people in outdoor gear sit on the edge of where ice and rock meet, staring at a decomposed body.

Two mountaineers (one of them Reinhold Messner) with Otzi, Europe’s oldest natural human mummy, in the Otztal Alps between Austria and Italy in September 1991.

Two mountaineers (one of them Reinhold Messner) with Otzi, Europe’s oldest natural human mummy, in the Otztal Alps between Austria and Italy in September 1991. Credit: Paul Hanny/Gamma-Rapho/Getty Images

Ötzi is kept in carefully maintained conditions, as close as possible to the glacier that preserved his body for more than 5,000 years. The chamber is a brisk -6º Celsius, with 99 percent humidity carefully maintained by a spray of UV-treated water. That’s enough to protect the mummy from most of the microbes that usually help decompose human remains. But Sarhan and his colleagues were surprised to find that it’s also the perfect environment for a few microbes that Ötzi carried with him down from the mountains.

In samples from the mummy, Sarhan and his colleagues found four strains of cold-tolerant yeasts, all closely related to similar yeasts found in Arctic glaciers, in Antarctica, and high in the mountains of Italy and Russia. And unlike Ötzi’s long-dead gut bacteria, which left just broken, aging fragments of DNA behind, the yeasts seem to be alive and reproducing (albeit at, ahem, a glacial pace).

“These yeasts have accompanied Ötzi on his long journey through the millennia,” said Frank Maxiner, director of the Institute for Mummy Studies at Eurac and a coauthor of the recent study, in a press release. (Ötzi probably doesn’t find that terribly comforting, but you never know.)

Thawed ancient microbes or a long-lived colony?

The yeasts—species of Phenolifera, Glaciozyma, Goffeauzyma, and Mrakia, for the mycology fans—turned up on Ötzi’s skin, in his stomach, and in water sampled from inside his body. Sarhan and his colleagues cultured live yeast from the samples, but their shotgun metagenomics results also revealed a bunch of short fragments of DNA, most bearing the kind of damage that happens when DNA molecules break down over time. That’s a hallmark of ancient DNA, which meant that the yeasts had most likely been living on and in Ötzi’s body since shortly after he died.

And when Sarhan and his colleagues compared samples taken in 2010 to those taken in 2019, they saw longer fragments and less damage, on average—in other words, there was more recent DNA in the mix, which suggested the yeasts were slowly but persistently growing.

Yeasts like Glaciozyma have been found in small depressions in the glacial ice not far from where Ötzi’s body lay, so it makes sense that they’d have been among the microorganisms drawn to a fresh food source in the form of a dead Copper Age mountaineer. Or, as Sarhan and his colleagues put it, “potential postmortem infiltration through the mummy’s natural openings.” It’s the circle of life.

photo of barren snowy mountains

This photo shows the area of the Ötztal Alps where Ötzi spent his last days and the first 5,300 years of his afterlife.

This photo shows the area of the Ötztal Alps where Ötzi spent his last days and the first 5,300 years of his afterlife. Credit: By 32 Fuß-Freak – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=180672357

From there, the yeasts probably lay dormant in between brief thawing sessions, when they proliferated in transient patches of meltwater or moist tissue. And the yeasts may have actually gotten some help from modern efforts to preserve Ötzi’s remains. Three out of the four species can break down phenol, an antifungal compound that conservators used to treat the mummy in 1991. The treatment would have given those particular species an evolutionary edge over others.

“The central question that imposes itself now is whether these yeasts are descendants of ancient yeasts that maintained their multiplication along the years, or they were in a dormant state that was revived after thawing the mummy,” wrote Sarhan and his colleagues.

The researchers did reportedly make sourdough using cultures of at least one of the yeast species they identified on Ötzi, but they almost certainly didn’t use actual cultures taken from the mummy—for a mix of ethical, health, and practical reasons, ranging from “Eww!” to “Please don’t eat valuable scientific research material.” Having identified the species, it would have been easy to culture the same yeast from a starter that had, hopefully, never developed a taste for human flesh.

Life, uh, finds a way

Sarhan and his colleagues also found traces of a soil bacterium called Pseudomonas, which has probably also been with Ötzi at least since death, in nearly all of the samples from the mummy, as well as the soil taken from near his body on the glacier. And like the yeast, the bacteria seem to still be alive, in the slow way of organisms that live in the cold.

They’re even still evolving; the bacteria from Ötzi’s body have some small but noticeable genetic differences from the bacteria in the soil where he died, although they’re clearly related. It looks as if Pseudomonas colonized Ötzi’s body once and then, as Sarhan and his colleagues put it, “this specific strain may have adapted to the unique conditions of the conservation facility or the mummy’s tissues themselves.”

Meanwhile, in swabs from the mummy’s skin, Sarhan and his colleagues found bacteria like Methylobaderium and Sphingomonas, both known for being resilient in tough environments and for forming biofilms. Those species are currently a huge part of the microbiome on Ötzi’s skin, but not inside his body. Sarhan and his colleagues say they’re probably there thanks to the constant spray of UV-treated water that maintains the humidity in the conservation chamber.

“These taxa… have effectively reshaped the mummy’s external microbiome,” wrote Sarhan and his colleagues.

Not an artifact, but a “living archive” of microbes

Elisabeth Vallazza, the Director of the South Tyrol Museum of Archaeology that houses Ötzi, said in a press release that Ötzi is stable and he’s carefully monitored, adding that “further research and full conservation efforts are certainly needed to preserve it for many more generations.”

We can think of Ötzi’s microbiome in three parts: the microbes that lived in and on his body while he was running for his life through the Alps (like Rombousta hominsis and Clostridium moniliforme), the ones that moved in after his death (like Pseudomonas and the yeasts—which is also a great band name), and the ones that came from the environment he now rests in (like Methylobacterium). Five thousand years after his death, Ötzi’s body is still a whole ecosystem, built on the ruins of the one that once inhabited his body along with him.

“The Iceman is not a static relic, but a dynamic biological interface,” wrote Sarhan and his colleagues. And that’s the great truth of existence: life’s short, then you die—and the whole time, you’re a dynamic biological interface.

Microbiome, 2026. DOI: 10.1186/s40168-026-02417-6  (About DOIs).

Anthropic Says We Must Stop Authoritarian AI. But What About Its Authoritarian Investors?

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Anthropic Says We Must Stop Authoritarian AI. But What About Its Authoritarian Investors?


Anthropic’s high-profile spat with the Pentagon gave it a killer marketing advantage, burnishing its public image as a principled AI company that puts values over profits — unlike more mercenary rivals such as OpenAI or Google. But Anthropic’s double standard on authoritarianism suggests the nearly trillion-dollar firm is as calculating and ethically flexible as any of its competitors.

In a recently published policy paper arguing a full-throated embrace of data center nationalism, Anthropic said that “it’s essential that the US and its allies stay ahead of authoritarian governments like the Chinese Communist Party,” lest the world fall into the grips of tech-powered tyranny. Anthropic and its peers, the company claims, will form a bulwark of democratic values, protecting societies at home and abroad from repression.

Left unmentioned in the document — and seldom publicly acknowledged — is the fact a slice of Anthropic is owned by the Emirati dictatorship of Abu Dhabi, a repressive and authoritarian monarchy.

Anthropic’s policy paper, published in May, tours the same Sinophobic territory heavily trod by its chief competitor OpenAI and a wide swath of the tech industry, who know a “race” with China — the finish line never quite defined — is a weighty cudgel against regulation.

Anthropic is aware of which way the wind blows from Washington to Silicon Valley, and it shrewdly casts the development of machine learning models not just as a matter of hardware and software, but of ideology and geopolitics. “Democracies, not authoritarian regimes, must lead in AI development and deployment,” the company says, or else an era of “authoritarian AI” will begin.

“Already, the CCP is using AI to censor speech, repress dissidents, hack governments and corporations across the world, and strengthen the People’s Liberation Army,” Anthropic writes, and to “enforce draconian policies on ethnic minorities” using machine learning-powered methods like biometric collection and facial recognition.

The policy paper isn’t a condemnation of any of these AI uses per se; the United States is already eagerly using these technologies for intelligence, military, and ethnic minority-repression purposes today. Residents of Tehran, which Anthropic has helped bomb since the start of the joint U.S.–Israeli war against Iran, might question the company’s argument that American AI supremacy is a matter of global “safety.”

Though the policy paper focuses on China, the company has long stated it opposes authoritarianism broadly: “AI-powered authoritarianism seems too terrible to contemplate, so democracies need to be able to set the terms by which powerful AI is brought into the world, both to avoid being overpowered by authoritarians and to prevent human rights abuses within authoritarian countries,” CEO Dario Amodei wrote in a 2024 blog post.

This is not merely a battle between the U.S. and China, Anthropic says in the May paper, but a war between democracy and “authoritarian governments” broadly construed.

But Anthropic’s anti-authoritarian fervor seemingly does not extend beyond China to the Middle East, where Abu Dhabi’s sovereign wealth fund invested in Anthropic twice this year. In February, Anthropic announced it had raised $30 billion in capital from a group of investors that included MGX, the AI-focused investment vehicle of a Emirati government capital controlled by Abu Dhabi’s royal family. Anthropic’s most recent May 28 $65 billion capital round, bringing its valuation to $965 billion, also included MGX.

Like China, the United Arab Emirates outlaws almost everything associated with democratic society: Political parties, a free press, freedoms to associate and assemble, open elections, due process, and free speech are nonexistent. Political dissidents face torture, and any speech, online or offline, that causes “damage to national unity” risks life imprisonment or the death penalty.

Emirati authoritarianism isn’t contested by the U.S., Anthropic’s primary governmental customer. The State Department’s 2024 Country Reports on Human Rights Practices assessed the UAE faces “credible reports of: disappearances; arbitrary arrest or detention; transnational repression against individuals in another country; serious restrictions on freedom of expression and media freedom, including censorship; and prohibiting independent trade unions or significant or systematic restrictions on workers’ freedom of association.” Freedom House, a State Department-backed think tank, gives the UAE a score of 18 out of 100 on its “Global Freedom” index.

Anthropic declined to comment. MGX did not respond to a request for comment.

“Like China, the UAE is at the forefront of AI-based authoritarian surveillance.”

Given that MGX bought into Anthropic at its Series G and H investment rounds, relatively late in the venture capital game, it’s likely that the UAE’s stake in the company is relatively small and its influence limited. But Anthropic’s willingness to sell part of itself to an authoritarian monarchy suggests at least that its mission of “ensuring democracies lead” comes with asterisks.

“Like China, the UAE is at the forefront of AI-based authoritarian surveillance,” said Matthew Tokson, a law professor at the University of Utah who focuses on the security implications of artificial intelligence.

Tokson added that while he generally agrees with Anthropic’s calls to restrict processor exports to China and other measures to bolster American AI firms, he doesn’t buy the nationalist rhetoric, which he attributes to the company’s anti-regulatory agenda rather than patriotism. The more Anthropic and its competitors can convince the public that their bottom line is a matter of national security, the more likely Washington is to take a light touch.

“The fact that Anthropic is partly owned by the government of Abu Dhabi, which is similar to China in its extensive use of AI surveillance to support an authoritarian government, suggests that its anti-authoritarian arguments are more based on a cynical policy position than a sincere passion for democracy or antipathy toward authoritarian governments.”

Many of the emirate’s long record of repressive acts and rights violations are connected to MGX via its chair, Sheikh Tahnoun bin Zayed Al Nahyan. Through his position as the emirate’s national security and intelligence chief and his business portfolio, including chairmanship of the AI firm G42 (itself a founding partner in MGX), Tahnoun has been linked to a bevy of campaigns to surveil and hack into the phones of Emirati dissidents, human rights advocates, and others the monarchy deems an adversary, according to news media reports and scholarly research. A 2020 investigation by Bill Marczak, a senior researcher at the University of Toronto’s Citizen Lab placed “Spy Sheikh” Tahnoun at the center of myriad hacking, espionage, and surveillance operations. A 2025 Wired profile of Tahnoun similarly described him as Abu Dhabi’s “spymaster sheikh,” noting G42’s “special areas of strength in state-sponsored hacking and surveillance tech.”

In 2019, the New York Times reported a covert Emirati government campaign to conduct surveillance through an instant messaging app called ToTok, an app itself Marczak tied to Tahnoon and through G42 in his 2020 analysis. The Wired profile described Tahnoun’s ambitions to “dominate AI” noted that “an engineer who worked at G42 at the time told me that all of the [ToTok] voice, video, and text chats were analyzed by AI for what the government considered suspicious activity.”

G42 declined to comment, and neither it nor MGX responded to interview requests for Tahnoun.

There is reason to believe G42 and MGX have already deployed Anthropic’s powerful large language models. A review of DNS data — internet records that connect website names to numerical addresses understandable by computers — show both G42 and MGX have both configured their servers to allow personnel to access Anthropic tools like Claude, the company’s flagship large language model.

Anthropic has been more candid in internal communications about its stance on authoritarianism.

“Unfortunately, I think ‘No bad person should ever benefit from our success’ is a pretty difficult principle to run a business on,” Amodei wrote in a 2025 memo on Gulf State venture capital obtained by Wired. He wrote that such investment would boost “dictators” and conceded that it would give an authoritarian government “some soft power” to wield against the company. Nonetheless, Amodei dismissed the risk of hypocrisy as a “Comms Headache” — a function of “very stupid” commentators “having a poor understanding of substantive issues.”

Principles aside, Amodei explained in plain terms why he was interested in doing business with a repressive Gulf State. “We gain a very large benefit,” he wrote, “from having access to this capital.”

Review: Spider-Noir recaptures the magic of a bygone era

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Review: Spider-Noir recaptures the magic of a bygone era

My hopes were high for the new Prime Video superhero series Spider-Noir, based on all those amazing trailers. But I also had some trepidation. Could the actual series live up to the hype?

As it turns out, yes, it could. Spider-Noir is a triumph, fusing fast-paced storytelling, compelling characters, gorgeous cinematography and production design, and whip-smart dialogue into a hugely entertaining, loving homage to a magical bygone era.

(Some spoilers below, but no major reveals.)

Marvel Comics created its “noir” line in 2009, reinterpreting familiar Marvel characters in an alternate universe, usually set during the Great Depression in the US. A version of the Spider-Noir character, voiced by Nicolas Cage, briefly appeared in the animated masterpieces, Spider-Man: Into the Spider-Verse (2018) and Across the Spider-Verse (2023). (He is set to reprise that role in the upcoming Beyond the Spider-Verse.) Cage’s portrayal was so compelling that we now have an entire series built around it.

Co-showrunner (with Steve Lightfoot) Oren Uziel is a film noir fan, so that Marvel series naturally appealed to him. The live-action series is still set in 1930s Depression-era New York, but the spidery superhero is not Peter Parker. Uziel thought the Parker character was too closely associated with a boyish high school type, which didn’t really fit the noir vibe. So Cage is playing Ben Reilly, a hard-boiled PI with a secret superhero identity, The Spider.

Ben Reilly has retired his vigilante persona after losing his fiancée, Ruby, five years earlier. Embittered, jaded, and drinking heavily, he’s barely eking out a living with his PI business, aided by his spirited secretary Janet (Karen Rodriguez). And he dismisses his reporter buddy Robbie’s (Lamorne Morris) urging to revive The Spider. Granted, this would help revive Robbie’s flagging career, but with The Spider gone, ruthless Irish mob boss Finn Byrne, aka Silvermane (Brendan Gleeson), pretty much has a chokehold on New York City—not just the bootlegging business, but the media, politicians, and business owners.

Characters matter

Ben in full Spider mode.

Secretary Janet Ruiz (Karen Rodriguez) is the linchpin of Ben’s business.

Circumstances conspire to thrust Ben back into the action. He’s hired to track down a criminal named Addison (Jack Mikesell), who turns out to have pyrokinetic superpowers. And Addison is not the only one. Silvermane’s bodyguard, Flint Marko (Jack Huston), is slowly turning into Sandman, while his buddy Lonnie Lincoln (Abraham Popoola) is becoming Tombstone. Then there’s the egomaniacal Leyden, who dubs himself Megawatt because he can absorb and release electricity.

The catch: Those superpowers are slowly killing them. Faced with a sharply truncated lifespan, Sandman, Tombstone, and Megawatt find themselves recruited by Silvermane to shore up the mobster’s political clout by terrorizing the city. Only The Spider can challenge them—if Ben can be cajoled into picking up the mantle once again. Add in a romantic distraction in the comely form of sultry lounge singer Cat Hardy (Li Jun Li), and all the requisite elements of classic noir are in place.

Cage anchors the series; the role suits the actor’s distinctively flamboyant style, and his performance is extraordinary. The actor has described his portrayal as “70 percent Humphrey Bogart and 30 percent Bugs Bunny.” Cage never lapses into slavish imitation, and he reserves the Bugs-like hamminess for when it suits the plot, such as when Ben gains access to restricted areas by pretending to be a handyman, a mental patient, and so forth.

Cage also said that he viewed Ben as “a spider trying to cosplay as a human” rather than a human with spider-like attributes, and he choreographs his physical movements accordingly, drawing on his many years of tai chi. This is especially relevant in later episodes as Ben’s backstory is revealed, and he receives the infamous bite that gives him superpowers. Ben’s human body in transformation twitches and jerks as he tries to control his movements and suppress his inner Spider. He confesses to Cat that he had to learn how to behave like a human again—but The Spider is nonetheless always there.

Black-and-white vs. True Hue

Cat Hardy in the black-and-white version

Cat Hardy in the black-and-white version versus….

Cat Hardy in the True Hue version.

Cat Hardy in the True Hue version.

The supporting cast is just as strong. Gleeson is positively magnetic when he’s on screen, making Silvermane tough and menacing but also funny and even vulnerable. Rodriguez drew on the character of Sam Spade’s secretary, Effie (Lee Patrick), in The Maltese Falcon for her portrayal of the capable, loyal-yet-steely Janet, while Li Jun Li found inspiration in Gilda-era Rita Hayworth, Lauren Bacall, and Kim Basinger in LA Confidential for Cat.

Morris’s Robbie impersonating The Spider in a crucial scene is hilariously on point. Another standout: Andrew Lewis Caldwell’s portrayal of Leyden/Megawatt, a frustrated actor with a penchant for spouting Shakespeare as he zaps away. The character could have just been a campy caricature in lesser hands. And yes, that’s Lukas Haas, who played the little Amish boy in 1985’s Witness, as Silvermane’s menacing henchman Winston.

You can watch Spider-Noir in black and white or color—and it’s not just a clever marketing gimmick. The footage was shot digitally and processed separately rather than being shot in one format and then converted to the other, so both versions look fantastic. Each version also subtly alters the overall tone and texture of the series. The black-and-white version beautifully evokes Old Hollywood noir films from the 1940s. The team coined the term “True Hue” for the color format, since the intent was to create something supersaturated, akin to classic Technicolor. Cage has compared the feel to the 1944 Edward Hopper painting Nighthawks, but it also has a vintage comic-strip quality that perfectly suits the show’s origins.

I give the black-and-white version the edge, although it doesn’t do justice to Cat’s lustrous evening gowns. Your mileage may vary. However, the brilliant opening credits are entirely in black and white regardless of which version you watch. Artistically, it was the right choice, especially when paired with a killer original tune penned specifically for the series: “Saving Grace,” featuring Kirby.

Why does Spider-Noir succeed when so many other superhero spinoff series have been disappointing? Perhaps it’s because there was no pressure to fit the series into a bigger multiverse story arc. Executive Producer Chris Miller has said there was no intention to create a “giant web of interconnected series,” Miller added. “It’s just its own little jewel of a story.” There’s no word yet on whether Spider-Noir will get a second season, but I would be keen to see a shiny new standalone story for our reluctant hero. There’s nothing wrong with “one and done,” though, when that one season is pretty much flawless.

Spider-Noir is now streaming on Prime Video, in both black and white and True Hue.

Coca-Cola CFO flags uneven demand, warns of Middle East risks into 2027

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Coca-Cola CFO flags uneven demand, warns of Middle East risks into 2027


Coca‑Cola is adjusting ways to keep its drinks both affordable and appealing as consumer demand remains uneven across income ​groups, CFO John Murphy said at an industry conference ‌on Thursday.

The beverages giant, which raised its annual profit target in April, said it was navigating the disruption from the U.S.-Israeli war on Iran “not perfectly ​well, but without fear, without trepidation.”

“The outlook… of the ​Middle East situation is still not clear,” Murphy told ⁠investors at the Deutsche Bank consumer conference in Paris, adding ​that it “is going to be a topic on all of our ​agenda as we go into 2027.”

Coca‑Cola is leaning on a mix of pack sizes, formats and price points, from smaller, lower-cost, single-serve options to ​larger and premium offerings, to cater to a wider range ​of consumers while keeping prices affordable for budget-conscious shoppers.

Recent earnings from major ‌U.S. ⁠retailers suggest consumers remain resilient but are spending more selectively, as rising fuel costs linked to the Iran conflict and persistent inflation weigh on budgets.

Murphy echoed that view, cautioning that “the narrative on ​the consumer being ​resilient is a ⁠nuanced narrative… because they’re not all the same.”

He added that parts of Coca‑Cola’s consumer base ​are under strain, particularly those earning between $50,000 to $60,000 ​annually, noting “we ⁠have segments… that are under pressure, and we have a choice to stay relevant with them or not.”

“The math is pretty ⁠obvious. It ​doesn’t work… they just don’t have ​the purchasing power,” he said.

Source:  Reuters

Trauma porn: buying and selling someone else’s scam center hell

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Trauma porn: buying and selling someone else’s scam center hell

In January 2026, the Chinese studio Jade Flame released a first-person interactive game on Steam called “Blood Money: Lethal Eden.” For US$8.99, you get to walk through the story of a trafficking victim trapped inside a scam compound in Southeast Asia. By May 2026, the game had a 93% positive rating on the platform.

Around the same time, Gavesh — a real person who survived one of those compounds in Myanmar — told a reporter: “This is not a game, this is our life.”

This is not a review of a video game. It’s a structural reading of the moment we’re in, for which Blood Money happens to be the cleanest clinical sample of recent years. It’s a look at how we learned to build not just games, but worlds where blood on a screen feels more real than the real thing — and how the hyperreal version of suffering ends up replacing the actual suffering.

The entertainment industry pulls off the perfect crime against reality and sells us our own moral collapse back at retail price.

Context: behind the simulation

Before we get to the architecture of this product, we need to register the scale of the real disaster. The scam compounds in Myanmar, Cambodia and Laos are not a fictional setting.

According to the report “A Wicked Problem”, published by the UN Office of the High Commissioner for Human Rights on February 20, 2026, at least 300,000 people are being held against their will in compounds like these across Southeast Asia. The criminal industry behind them is estimated to bring in $64 billion a year, $43.8 billion of which comes from the Mekong basin alone.

The victims of trafficking to these compounds are lured with promises of legitimate work. English speakers from any origin country are highly sought after as they open the door to scamming affluent victims globally. Thailand will often be given as the location, as Thailand sounds safer and more mainstream than Myanmar, Laos or Cambodia. Once the victims of trafficking arrive in Thailand, they are transferred across the border to their real destinations.

There has been a crackdown on the compounds in Cambodia this year, and many of the trapped forced scammers have been freed or were able to escape. The Cambodian government and many foreign governments have done little to help these people get home, and large numbers of these ex-scammers are now sleeping on the streets of the capital Phnom Penh.

Charities which support the victims of compound cyberslavery in the region include Global Advance Projects and Blue Dragon.

In the compounds, people work 16-hour shifts under threat of violence, scamming strangers around the world. The UN Human Rights Office has documented torture, sexual violence, and what survivors call “water prisons” — used as punishment when targets aren’t met.

Developers turned this into raw material for a commercial product priced under nine US dollars.

Act 1. The design of emptiness: how the question ‘why?’ died

In the history of psychology there’s a famous study: the Stanford Prison Experiment, 1971. Philip Zimbardo put 24 students into a simulated prison and watched what happened to them. The experiment had to be shut down on the sixth day of a planned fourteen, because the simulation became too real and the ethical line had been crossed.

Fifty-five years separate Stanford 1971 from Blood Money 2026, but the basic setup is the same: you give a person a role inside a space of violence. The difference is that Jade Flame runs the same experiment on thousands of players with no oversight and no way to stop it. Part of the games industry has, deliberately, taken apart the ethical infrastructure that was supposed to be standard after Stanford.

As Norie Tsutsui — Japanese writer behind The Redesign Log, a former government official turned IT producer — points out, the problem with Blood Money is the complete absence of any ethical vision.

Designers of serious games used to ask themselves a basic question: what is this game actually putting into question? The Ace Attorney series interrogates the very idea of justice. Oreshika makes the player work through a cycle of inherited pain. In those projects, the ethical frame and the capacity for empathy were not decorations. They were the core of the design.

Blood Money asks nothing. The real suffering of 300,000 people was gutted of any ethical content, leaving only the pure mechanics of revenue extraction. Games like this are usually defended on the grounds that they “raise awareness.”

And in the peer-reviewed literature, there isn’t a single study showing that mass-market violent games increase players’ empathy toward victims. The dominant empirical findings, including recent longitudinal studies by Chinese researchers (Dou and Zhang, 2025; Teng et al., 2019), point the other way: interactive violence leads to desensitization, reduced empathic response, and increased moral disengagement.

What we’re looking at is a moment when the question “why are we making this hyperreality?” simply disappeared, replaced by functional consumption. “Awareness” became a commercial alibi — a retroactive defense against criticism. Former US federal prosecutor Tom O’Malley put it bluntly:

“I don’t think Grand Theft Auto raised awareness about auto theft and carjacking,” O’Malley said. “There’s no social redeeming value in these sick games. You’d have to be somewhat demented to play them.”

The GTA series has sold over 215 million copies, but no study has shown that its players ended up more informed about urban crime or car theft. What the procedural logic of the game rewards is exactly the behavior the surface narrative claims to condemn.

Act 2. The delightful catastrophe as the highest stage of the market

Why does the hyperreal version of pain and suffering keep pushing the real one out of the frame? The answer lives in Jean Baudrillard’s thinking. The actual reality of the scam compounds in Asia is too heavy, too dirty, too hard to grasp for the average consumer to look at directly. Real suffering demands empathy and responsibility.

Hyperreality, on the other hand, takes that humanitarian crisis, runs it through aesthetic filters, and serves it back as something you can actually consume. Following Baudrillard’s logic, that is the “delightful catastrophe” — the state in which horror gets objectified and turned into a routine marketing tool. Catastrophe becomes lovable, as long as there’s a screen between you and it.

The steam tags for Blood Money include “Drama,” “Casual,” “Life Sim” and “Visual Novel” — the same taxonomy used by dating sims. The main female characters are sexualized, and the choice architecture is built around the tagline: “Will you rule with beauty, or betray for life?” This is not documentary. This is trauma porn at its purest, where someone else’s pain becomes a flavor — a marketing hook to sell immersion.

Susan Sontag described the mechanism of all this beautifully in her book “Regarding the Pain of Others”: in our culture, shock has become a leading stimulus of consumption and a source of value. We’ve learned to build worlds where violence looks immaculate, because aestheticizing horror strips it of moral weight. Sontag warned us: when we feel sympathy in front of a screen, what we are really doing is announcing our own innocence — and our complete powerlessness.

Platforms like Steam (Valve) wash their hands of all this. They hand the ethical judgment to user filters and review scores, and only step in when payment systems (Visa, Mastercard) start applying pressure. The 93% positive rating for Blood Money is a measure of customer satisfaction, not of player awareness.

The market has figured out how to extract a profit margin out of someone else’s slavery — packaged, domesticated, sold as a clean digital experience. As Oak, another survivor, put it: “It feels like our pain is being commodified. Developers profit from a theme that, in reality, destroys lives.”

Act 3. The perfect crime: the final victory of consumer society

When the hyperreal has completely replaced the real, the diagnosis is hard to avoid: consumer society has won. Baudrillard called this stage the “perfect crime.”

The perfect crime is the murder of reality itself, where the body was never found, there is no obvious killer, no motive, and the forgery becomes more real than the original — what he calls integral reality. The team at Jade Flame, by turning torture into a product, didn’t just make something morally questionable.

They killed the reality of the suffering of 300,000 people and replaced it with a simulacrum that, as it turns out, some people enjoy. In a perfect crime, the perfection of the forgery is the criminal act itself. Baudrillard wrote that within this logic, humanity ends up being both the killer and the victim: the player voluntarily kills off their own humanity by going into the simulation, and becomes the victim of the same digital alienation.

Baudrillard pushed one more uncomfortable idea: virtualization, he said, is a suicide project — quiet, voluntary, but a slow erasure of the subject all the same. In 1971, at Stanford, participants broke under the pressure of their environment, and the breaking hurt. In 2026, thousands of players willingly pay so that a piece of code will lift the burden of being a living, feeling person off their shoulders.

Blood Money delivers exactly what modern society has been quietly wanting: a perfect refuge from being human. We’re so tired of the fractal era — the world of chaos, endless global crises, information overload, what Baudrillard called the state of being “after the orgy” — that we’re happy to hand our right to empathy and moral choice over to the algorithms.

A genuine awareness game (think This War of Mine, or Papers, Please) always puts the player in a position of weakness, punishes complicity in the system of violence, and refuses to give you a power fantasy. Blood Money does the opposite. It rewards the player with “perfect endings” and the illusion of control. This is the procedural logic of exploitation, in pure form.

Conclusion

We are entering a period where the line between someone else’s grief and our own entertainment has been erased. The industry has learned to build worlds whose technological polish is inversely proportional to their ethical content.

The problem with Jade Flame isn’t malice. It’s that they took the absence of a moral frame and scaled it up into a business model. To follow Norie Tsutsui’s point a bit further: in this kind of design, ethics starts to look like a tax. Stripping it out makes the product simpler, faster, and commercially more convenient.

Blood Money: Lethal Eden is not a glitch in the system. It is not an unfortunate anomaly. It is a mirror of a consumer society that has reached its final stage: feeding on someone else’s grief. The main product of this assembly line is not the lines of code or the visual novels about Chinese scam compounds.

The main product is not the game — it’s the state the player ends up in: a person being offered the amputation of their own capacity for compassion as a form of interactive experience.

And as long as we keep believing the commercial fairy tale that simulations like this “teach” us anything or “raise awareness,” Baudrillard’s perfect crime will keep going, unpunished, with the silent approval of the majority.

While we argue about the nature of simulacra and the limits of ethics, Gavesh — a real person, a survivor of the hell in Myanmar — says something that needs no academic footnote: “This is not a game, this is our life.

But the cold logic of hyperreality is that this truth no longer breaks anything. In the world after the orgy, the voice of the victim doesn’t stop the assembly line — it becomes its best advertising tagline. The perfect crime of Jade Flame works precisely because reality has been killed and its body is now on the shelf.

The world hears Gavesh and keeps buying anyway, because we’ve trained ourselves to consume someone else’s life like a tasteful digital delicacy, in full safety, in complete moral detachment. And as long as the illusion sells for $8.99, nobody needs reality at all.

References

UN Office of the High Commissioner for Human Rights. (2026). “A Wicked Problem”: Seeking Human Rights-Based Solutions to Trafficking into Cyber Scam Operations in South-East Asia. Geneva: OHCHR.

Democratic Voice of Burma. (2026, May). Scam centre survivors criticise Steam video games that closely depict real-life compounds. Republished from ABC News (Australia).

Dou, Y., & Zhang, M. (2025). Longitudinal associations between media violence exposure and aggressive behavior among Chinese adolescents: The mediating role of rumination and empathy. Current Psychology, 44(7), 6066–6078.

Baudrillard, J. (1996). The Perfect Crime (C. Turner, Trans.). London: Verso. (Original work published 1995)

This article first appeared on The Dark Side of Development Substack and is republished here with kind permission. Become a The Dark Side of Development subscriber here. Read story author Mila Agius’ Heuristics vs Traps Substack here.

Animal Planet Star Dead at 47 After Horror Paramotor Crash

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Animal Planet Star Dead at 47 After Horror Paramotor Crash


Eugene Cussons, the fearless South African conservationist who became known to millions as the host of Animal Planet’s Escape to Chimp Eden, has died after a tragic paramotor crash.

He was 47.

Cussons was killed on May 23 during an event at a new airfield near Hartbeespoort Dam in South Africa, according to local reports.

Etienne Maré, a spokesperson for the Cussons family, confirmed the heartbreaking news to local media.

Witnesses said the terrifying accident happened roughly 10 minutes after Cussons took off in the air.

His sudden death has stunned the conservation world and devastated fans who followed his daring work rescuing abused and abandoned chimpanzees across Africa.

Cussons was best known as the managing director of Chimp Eden, a sanctuary connected to the Jane Goodall Institute. In that role, he helped coordinate dangerous rescue missions for chimpanzees trapped in heartbreaking conditions.

His work often took him into unstable and dangerous regions, including Angola and Sudan, where he helped save primates from smugglers, illegal traders, conflict zones, and cruel captivity.

Cussons became an international face for animal rescue in 2008 when Escape to Chimp Eden debuted on Animal Planet.

The series followed his high-risk missions across Africa and exposed viewers to the brutal world of wildlife trafficking, illegal animal captivity, and war-zone rescues.

His passion and courage made him a standout figure on television. His work also led to appearances on The Tonight Show with Jay Leno, where he spoke about his life-saving efforts and the animals he fought to protect.

But Cussons was far more than a television host.

He was a tireless conservationist who dedicated his life to protecting animals and inspiring others to do the same.

He founded Generation Now Africa, an organization focused on building future conservation leaders, and also launched The Eugene Cussons Podcast, where he discussed serious issues including poaching, habitat destruction, and wildlife protection.

In 2011, he released Saving Chimpanzees: A Man on A Rescue Mission, a book that detailed his emotional and dangerous work with Chimp Eden.

Cussons’ interest in paramotors was also tied to his conservation mission.

He founded Nirvana Africa, a powered paragliding company that helped support anti-poaching patrols and aerial conservation work, including efforts to protect rhinos.

The company worked on paramotor missions with authorities in areas such as Kruger National Park, according to SA People.

To those who knew him, Cussons was not just a daring conservation figure. He was a husband, father, son, brother, mentor, and friend.

His mother, Marina, paid tribute to him after his death, remembering the man behind the public mission.

“Beyond his remarkable conservation work, Eugene was known as a devoted husband, father, son, brother, mentor and friend whose kindness, gentle spirit and passion for life left a lasting impression on all who had the privilege of knowing him,” she told local media.

She also spoke of her son’s deep faith.

“Those who knew him well will also remember his sincere love for our Heavenly Father, a faith that quietly shaped his character, compassion, and life’s work,” she added.

Cussons leaves behind a legacy built on bravery, compassion, and a lifelong fight to protect animals who could not protect themselves.

S&P 500 rejects SpaceX, also blocking entry for OpenAI and Anthropic

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S&P 500 rejects SpaceX, also blocking entry for OpenAI and Anthropic

SpaceX has requested unusually swift entry into several leading stock market indexes as a condition of its historic stock market debut. But the S&P 500 stock market index representing many of the largest profitable US companies has surprised market analysts by refusing to bend the rules for Elon Musk’s space and AI company.

The June 4 decision by S&P Dow Jones Indices—the company that creates and manages stock market indexes such as the S&P 500—means that SpaceX will not gain accelerated access to potentially billions more dollars through passive investment funds that automatically purchase shares of S&P 500 companies. An exception for SpaceX could have also allowed leading AI companies such as OpenAI and Anthropic to gain entry not long after their own expected initial public offerings (IPOs). That possibility has now been shuttered.

The news will likely come as a relief to people concerned about passive investor money and people’s retirement savings plans having greater exposure to the market risks associated with SpaceX’s big bet on AI and speculative orbital data center plans. AI companies are generally facing more challenges in funding and building expensive AI data centers, even as they shift more of the subsidized costs of running AI services onto shocked customers through usage-based pricing.

To weigh expedited entry for SpaceX, the S&P Dow Jones Indices held a monthlong consultation to consider changing or waiving several main requirements for so-called MegaCap companies with “unprecedented market capitalizations.”

Those proposed changes included shortening the “seasoning period” for new IPOs from 12 months to six months, waiving the investable weight factor (IWF) requirement for MegaCap companies to make at least 10 percent of their shares publicly available, and waiving the requirements for MegaCap companies to demonstrate profitability in the latest quarter of the financial year along with the previous four quarters.

Such rule changes would have accommodated SpaceX’s plan to only offer approximately 3 percent of its IPO shares to public investors, and the fact that SpaceX is currently unprofitable with a growing debt load that has reached $29 billion because of its spending spree on AI infrastructure.

But in its final decision, the S&P Dow Jones Indices stated that “no changes will be made to the eligibility criteria including financial viability screens, seasoning period, or minimum IWF.” Even after the standard yearlong wait, SpaceX, Anthropic, and OpenAI may struggle to deliver the consistent profitability necessary to qualify for the S&P 500.

Money rules and exceptions

Swift entry into the S&P 500 would have triggered $14 billion of passive fund buying for SpaceX, according to Bloomberg Intelligence. The investment research arm of Bloomberg also estimated that OpenAI could have gained more than $8 billion, and Anthropic could have netted $4.6 billion from similar passive buying sprees triggered by their S&P 500 entries.

This is because $7.5 trillion in passively managed funds—popular among both individual investors and institutional investors—follow the S&P 500 by purchasing shares of companies according to their proportional representation in the S&P 500 index. For example, the Vanguard and Fidelity brokerage giants both offer passive investment funds that track the S&P 500 composition.

However, the S&P Dow Jones Indices did “carve out one concession” by changing the investable weight factor rules for “lower-profile benchmarks” such as the S&P Total Market Index and Dow Jones US Total Stock Market Index, according to Quartz. That could allow an IPO faster entry into those indexes.

By contrast, the Nasdaq stock exchange changed its rules to allow SpaceX to enter the Nasdaq-100 Index within 15 trading days as opposed to the usual three months. Similarly, the FTSE Russell index provider decided to give SpaceX and other follow-on companies accelerated entry to the Russell Top 500 Index after the close of the fifth trading day following an IPO.

The denial of accelerated S&P 500 entry for SpaceX comes just days after Morningstar analysts described SpaceX as having been “significantly overvalued” in the lead-up to its IPO. The investment research firm valued SpaceX at $780 billion—less than half of SpaceX’s $1.75 trillion IPO goal—primarily based on the strengths of SpaceX’s Starlink satellite service and rocket launch business.

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